Thursday, 14 June 2007

Josiah Wedgwood


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A Small Brief History Concerning Josiah Wedgwood



A Small Brief History Concerning Josiah Wedgwood
By Allison Thompson




Josiah Wedgwood who was born in 1730 and died in 1795 came from a long line of potters, he himself was the 12th child of potter Thomas Wedgwood, whose own father and grand father were potters also.



At the age of 6 Josiah would walk 7 miles to school every day as his mother was determined that he would have a good education, but at the age of 9 his father died and he left school to become an apprentice at the family business under his brother Thomas.



Then at the age of 12 he contracted smallpox’s which unfortunately led to him being confined to his bed for months and during this time he spent a lot of it reading and improving his mind. Due to the smallpox Josiah was left with a weakened knee and this meant he was unable to operate the potter’s wheel used for throwing the pots and instead he spent his time improving his skills in relation to modeling the clay used.



By his early 20’s Josiah formed a partnership with one of the most influential English potters of the time, Thomas Whieldon. With Whieldon’s help Josiah was able to practice learning how to use glazing, bodies, shapes and colours in his work. Then in 1759 his dream came true when 2 relatives of his leased him a property called Ivy House and where he was able to start his own pottery business. However, he was lucky to marry a distant cousin, Sarah Wedgwood which gave a large boost to his business because of the size of the dowry presented by her father at their wedding.



Unfortunately as the years went by the knee which had been weakened by smallpox became ever more troublesome and Josiah was eventually forced to have it amputated without anesthetic. Then in 1766 he moved his family to Etruria in Staffordshire and made this the base for his factory and new home.



In 1782 because Josiah was a keen thinker, scientist and innovator he perfected an instrument that was able to the measure the heat in the kilns used by potters and on the basis of this work he was elected as a member of the Royal Society in 1783.



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One of the first major innovations that Wedgwood introduced was his development of Queen’s Ware (he presented a tea service to Queen Charlotte, the wife of George III made from this new material and she gave him permission to call it Queen’s Ware). Queen’s Ware is a cream coloured lead glazed earthenware and this durable china is made from a mixture of flint and white clay. After gaining permission from Queen Charlotte to name this product Queen’s Ware he began to style himself as “Potter to Her Majesty” and Queen’s Ware became such an enormous success and the name of Wedgwood was spread across all of Europe.



Then in 1768 Josiah came up with his second innovation in the pottery field and he developed a new fine black porcelain which he named Black Basalt. He found that by using this fine grained stoneware he was able to produce copies of the Etruscan pottery that have recently been excavated in Italy and yet again as with the Queen’s Ware this new innovation proved to be a huge commercial success. You will find that Black Basalt surface is smooth and lustrous and comes with a purple-black sheen to it. In fact the Wedgwood factory was finding it very difficult to keep up with the demand for all things made from this material such as candlesticks, medallions, tableware and vases.



The third real major innovation with which Josiah Wedgwood will probably be most remembered for is the production of Jasper Ware and which has been described in the ceramics and pottery world as one of the most important inventions in the history of ceramics since the discovery of porcelain. It took Wedgwood many years of experimenting to perfect the design of this unglazed stoneware which has the ability to be both delicate and durable and is able to take colours evenly across its surface. In fact you will find that Jasper Ware can be made from almost any colour, however the most famous ones are both pale or dark blue and white. With this new material the Wedgwood Factory was able to produce an astonishing amount of objects from the smallest tea cup to of all things a grand piano. A good piece of Jasper Ware will usually have a bas relief applied to the sides, which are often in imitation of the classical Greek motifs you seen on early pieces of Greek pottery.



It certainly seems that Josiah Wedgwood got it right when he designed the Jasper Ware as it has now been in production for over 200 years and the methods used to produce have hardly changed in all that time.




Allison Thompson webmaster of several sites a work at home mum now living in Spain.
Who has carried out considerable research and studies relating to this product and now considers herself an expert on this particluar product and if you would like to learn more then please visit http://www.wedgwood.householdfacts.info.



Article Source: http://EzineArticles.com/?expert=Allison_Thompson
http://EzineArticles.com/?A-Small-Brief-History-Concerning-Josiah-Wedgwood&id=286863





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Wednesday, 13 June 2007

How is Art Pottery Decorated ?


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How Are Ceramics Decorated?



How Are Ceramics Decorated?
By Sammy Malko




A long time ago even before the birth of Christ, the early Egyptians began an art which is still practicing today, the decorating of Glassware and Ceramics. Many of the oldest historical artifacts are ceramics products, which have lasted thousands of years.



The same components used to make ceramics and glassware is used in making the colors themselves, These compounds are then mixed with compounds known to man for thousands of years, like the color blue is made with Cobalt, Green is made from Chromium Oxide. Over time new colors have been added. The combination of the compounds and a Frit are then mixed with oil so they can be applied to a product. Unlike colors used in paintings almost all ceramic colors can’t be mixed because they are made with unstable compounds.



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After the items are printed onto the ceramics or glass, they are then Fired, Firing is when a product is baked at high temperatures, the color and the glaze fuse together and the imprint of the ceramics and glass becomes permanent when the product reaches 1400F for Ceramics. Before kilns were invented to the fire the products, large holes were dug into the ground and a fire was lit to bring the ceramics to such high temperatures.



The Japanese Jomon culture's pottery -- first onset of vessels found ( coiled ceramics) dates back 10,000 years. In south China, painted pottery began showing up around 8,000 B.C. The Chinese ceramic INDUSTRY dates back about 1,700 years alone. About 7,000 years ago, there's evidence of vessels in the Americas had decorated ceramics on them.




Sam Malhotra



http://www.truemugs.com



Custom ceramics mugs & printed glassware - custom printed mugs, Glassware and more



Article Source: http://EzineArticles.com/?expert=Sammy_Malko
http://EzineArticles.com/?How-Are-Ceramics-Decorated?&id=575886





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Tuesday, 12 June 2007

Troika Pottery


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Troika Pottery - The Studio That Redefined The Mould



Troika Pottery - The Studio That Redefined The Mould
By Roland Head




Chimney vases, coffin vases, spice jars and marmalade pots – just a few of the evocative names that are associated with one of Cornwall's most distinctive studio potteries, the Troika Pottery.



Founded in 1963 by three men, Leslie Illsley, Benny Sirota and Jan Thompson, the Troika Pottery was always going to be different. With backgrounds that ranged from architecture to sculpture and mould-making, Troika's founders were determined to give a new face to studio pottery.



A New Face For Studio Pottery



Sirota and Illsley were the creative forces of the pottery, and they firmly believed in the idea that pottery too could be created for purely artistic reasons – very much contrary to the studio pottery ethos of the time (epitomised by Bernard Leach), which held that function should not be sacrificed for artistic form.



In the years that followed, Troika's distinctive ranges become extremely successful, selling in London department stores such as Heals and Liberty, as well as from the pottery's shop in St Ives, Cornwall.



Moulded, Yet Unique



Troika's wares were virtually all made in moulds, before being individually hand-glazed and decorated – breaking with the tradition that studio pottery could not be mass-produced. The creativity and talent of Troika's decorators means that no two pieces were ever painted the same, and a wide choice remains available today for collectors to choose from.



Today, most Troika collectors seek the rough-textured wares that are so distinctive and unique to Troika – but in truth it was their predecessors, a more fragile and rare range of smooth-glazed wares that were closest to Sirota's and Illsley's hearts.



Troika's smooth-glazed wares were harder to make, and never quite achieved the same success with the public, resulting in far more limited production volumes. Today, these pieces are amongst the rarest examples of Troika, and are keenly sought-after by some collectors, but shunned by others.



Take The Rough With The Smooth



In truth, whether your preference is for Troika's rough-textured or smooth-glazed wares, it makes a distinctive and unique addition to any studio pottery collection. Troika pottery closed in 1983, but collectors can still find a wide range of pieces for sale on the internet and at antique fairs. Look out in particular for early (pre-1970) pieces, which are marked on the base with "St Ives" – missing from later pieces, which were produced in Newlyn.




Perfect Pieces specialises in British pottery from the last 100 years, and has an extensive selection of Troika Pottery for sale.



We also offer a comprehensive database of Troika Pottery Marks, as well as a guide to recent Troika sale prices. Please visit the Perfect Pieces website for more information.



Article Source: http://EzineArticles.com/?expert=Roland_Head
http://EzineArticles.com/?Troika-Pottery---The-Studio-That-Redefined-The-Mould&id=532146





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Friday, 8 June 2007

Native American Art Pottery


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Native American Pottery: In the Past and In the Present



Native American Pottery: In the Past and In the Present
By Edward Charkow




How American Indians arrived and when they arrived in the United States is a topic that has long been up for debate. There are conflicting reports and theories on when American Indians arrived here and how they did. In any culture, people and animals pass on and belongings become ruined. This tends to make it difficult to understand and study a particular culture. A popular tradition in the history of American Indians has made it easier for their history to be examined.



Pottery was a tradition that existed in the past and it continues to exist today. Pottery making has changed with time, but many American Indians have continued to carry on the tradition of making pottery in the same way that their ancestors did. In addition to being a longstanding tradition, pottery pieces have made it easier to understand the history of American Indians.



In today’s society American Indian pottery is often made for the sole purpose of money. There are a large number of individuals who still do it for the love of pottery and the history of it, but Native American pottery is wanted by individuals all around the world. This popularity has led to the development of a large number of American Indian pottery stores.



In the past, American Indian pottery was made with the purpose of using it. Men, women, and children used pottery on a daily basis. Pottery was often used for cooking, storage, and transporting necessities. Art was often the last thing on the mind of a pottery maker. Despite the fact that American Indian pottery was made for the purpose of being used, there are many similarities between today’s pottery and the pottery of the past.



Whether they intended it or not, may ancient pottery pieces are beautiful pieces of artwork. In fact, ancient pottery pieces are often valuable and considered a treasure. There are a large number of individuals and museums that pay a large amount of money to obtain older works of art. Whether it is for public display or personal possession, there is just something about owning a piece of history.



When American Indian pottery is made for commercial use, modern methods are often used to make the items. This modern way of making pottery has caused a small amount of controversy. There are many American Indians who wish to hold onto and celebrate their culture. This includes leaving traditions the way that they were. When many families teach their children how to make pottery, they often do so the way that their ancestors did. Many American Indians, to this day, still dig their own clay, mold it, and finish it with fire the way that it was done in the past.



Throughout the years, American Indians have had to alter their lives and traditions to fit into today’s society. Keeping with their past beliefs and traditions is difficult to do in today’s society. That is why pottery making continues to be an important tradition to American Indians. Pottery making has not only kept an important tradition alive, but it has helped to provide valuable financing to tribes and families that may be in desperate need of the money.




Edward Charkow is the administrator for American Indian History. For more information
please visit http://www.americanindian-history.com



Article Source: http://EzineArticles.com/?expert=Edward_Charkow
http://EzineArticles.com/?American-Indian-Pottery:-In-the-Past-and-In-the-Present&id=229197





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Thursday, 7 June 2007

Art Pottery Decoration


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How Are Ceramics Decorated?





How Are Ceramics Decorated?
By Sammy Malko




A long time ago even before the birth of Christ, the early Egyptians began an art which is still practicing today, the decorating of Glassware and Ceramics. Many of the oldest historical artifacts are ceramics products, which have lasted thousands of years.



The same components used to make ceramics and glassware is used in making the colors themselves, These compounds are then mixed with compounds known to man for thousands of years, like the color blue is made with Cobalt, Green is made from Chromium Oxide. Over time new colors have been added. The combination of the compounds and a Frit are then mixed with oil so they can be applied to a product. Unlike colors used in paintings almost all ceramic colors can’t be mixed because they are made with unstable compounds.



After the items are printed onto the ceramics or glass, they are then Fired, Firing is when a product is baked at high temperatures, the color and the glaze fuse together and the imprint of the ceramics and glass becomes permanent when the product reaches 1400F for Ceramics. Before kilns were invented to the fire the products, large holes were dug into the ground and a fire was lit to bring the ceramics to such high temperatures.



The Japanese Jomon culture's pottery -- first onset of vessels found ( coiled ceramics) dates back 10,000 years. In south China, painted pottery began showing up around 8,000 B.C. The Chinese ceramic INDUSTRY dates back about 1,700 years alone. About 7,000 years ago, there's evidence of vessels in the Americas had decorated ceramics on them.




Sam Malhotra



http://www.truemugs.com



Custom ceramics mugs & printed glassware - custom printed mugs, Glassware and more



Article Source: http://EzineArticles.com/?expert=Sammy_Malko
http://EzineArticles.com/?How-Are-Ceramics-Decorated?&id=575886





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Wednesday, 6 June 2007

Functional Art Pottery


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Pottery: Functionality Verses Art



Pottery: Functionality Verses Art
By J. Wayne Norris




I have been involved in pottery now for about four years. I first became interested, when in my job; I travel North Carolina from the Coast to the Mountains and one day I happened to stop in at a pottery shop. I was taken away with pottery, as soon as I saw the many forms from cups to jugs. From that time on, I started stopping in at any shop that I ran across, in my travels. It was then, that I was hooked.



While being new to pottery, I saw it as art. Some of the first pieces I purchased were done so to decorate my home and as gifts for my wife. My wife, who is an avid collector of anything with North Carolina Lighthouses, was the reason for my very first purchase of pottery. I purchased a pie plate that had a lighthouse painted on it. I only saw it as art and not as functional. And most of the pieces I purchased afterward were also purchased as decorative pieces for our home. I looked at pottery as art.
As my interest in pottery grew I wanted to learn how to make pottery on my own. On one of my trips I visited a local pottery in Sanford, North Carolina, known as, “The Cole Pottery”. While there, Neola Cole let me have a try at the wheel and I was hooked.



It was not long that I purchased a wheel and began practicing at home. I am by no means a professional yet, but I am on my way. And in doing so, I have also got my youngest son hooked. Though only starting at seven and been turning for about a year, he is well on his way to becoming an excellent turner.



Since getting hooked on pottery, I have met many potters and continue to learn from each of them. But one thing that has truly changed is my thoughts on the art of pottery. I have since come to the conclusion that pottery is truly art, but not just art, but art to be used. So not only do I use hand made cups, but also bowls and many other pieces as well.
I do not know your opinion of pottery. If you only see it as art, be forewarned, it is art meant to be used. And be warned, once you purchase your first piece, you may get hooked. Also don’t be surprised if you get the pottery bug and begin playing in clay.




If you are interested in learning how to make pottery visit Wayne’s web site http://www.TheSuccessfulPotter.com and get free tips on turning pottery.



Article Source: http://EzineArticles.com/?expert=J._Wayne_Norris
http://EzineArticles.com/?Pottery:-Functionality-Verses-Art&id=211834





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Tuesday, 5 June 2007

Quick and Easy Pottery Buyer Guide


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The Quick and Easy Guide For Pottery Buying



The Quick and Easy Formula For Pottery Buying
By Amy Metz




Did you know that pottery buying is actually an easy process?



People spend their weekends digging through all sorts of rummage sales, yard sales, and specialty stores looking for the perfect piece of pottery to go in their home. In fact, there is an incredible home furnishings store in our city that has simply amazing pieces of pottery that anyone would love to buy (including us). However, we are constantly amazed by the large amount of people who don’t have any idea what the different types of pottery are and how to buy the right type of pottery for their home. Pottery shopping is actually a fairly easy process once you get the hang of it. Follow these simple steps and you will be ahead of 95% of pottery buyers who end up paying more and getting less.



1. Get educated on the different types of pottery. Can you tell the difference between Stoneware pottery and Polish pottery? Pottery comes in many different styles and can sell for all sorts of different prices. Spend the $7 on an informative pottery book from Amazon.com and truly take the time to learn all about pottery and how to tell the good stuff from the bad.



2. Use the internet to familiarize yourself with pottery. Guess who is the #1 used car dealer on the face of the earth right now (and probably for the foreseeable future)? Ebay. Guess who also has extensive pottery listings? That’s right: Ebay. Ebay isn’t just for swapping beanie babies anymore. There are immense amounts of people who sell things on Ebay including lots of pottery. If you simply watch what is selling on Ebay and the prices that they are going for, you can get a pretty good idea of what the new and used pottery market is like offline too. I’ve generally found most ebay items to sell for at least a 25% discount to new offline merchandise.



3. Finally, you must compare pottery prices. Without proper price comparison, the other two points are almost meaningless. There are tricks to getting the best deal on pottery by comparing prices and no one should buy any without price comparison.




Amy Metz is the author of "Pottery Shopping: Price Comparison” Grab your free copy at http://www.potteryforyou.com



Article Source: http://EzineArticles.com/?expert=Amy_Metz
http://EzineArticles.com/?The-Quick-and-Easy-Formula-For-Pottery-Buying&id=97770





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